chronological orchestra ensemble chamber music solo opera sound installation

2024

floris glacialis (2024)

for string orchestra
(20’)

2023

eyes of light

for 18 musicians
(25’)

paths in the sky

for five orchestra groups and optional electronics
(17’)

wie weiße früchte eines zeitbaums

for string quartet and optional electronics
(24’)

2022

orpheus

for soprano, bass and early music ensemble (2 violins, viola, violoncello, harpsichord & theorbo)
(12’)

two lives

for percussion and violin
(7’)

dark wood

for 21 bass and contrabass clarinets with electronics
(optionally for solo bass clarinet and electronics)
(8’)

2021

44 changes while i just want to drown in those thoughts

for trio (vibraphone, flute & alto saxophone)
(3’)

eight layers of solitude

for ensemble octet
(4’)

lob des schattens. rewriting. [in praise of the shadow. rewriting.]

for soprano with ensemble and tape (2017/2021)
(12')

yuki he. yuki furu.

for soprano, cello and tape –
excerpt from the opera “Lob des Schattens” (2017)
(3')

without skin everything feels cooler and warmer

for three mezzosopranos, percussion and guitar
(11')

asche ist weiß. flocke.

for large orchestra
(7’)

just keep walking

based on a FRAGMENT by Heraclitus

for mixed choir SATB and optional 24 loudspeakers
(5’ - infinity)

i am as i am not

based on a FRAGMENT by Heraclitus

for mixed choir SATB and optional 24 loudspeakers
(5’ - infinity)

just keep walking I-IV

for mixed choir SATB and 24 loudspeakers
(20-40’)

luft und fleisch. licht und wasser. [air and flesh. light and water.]

for chamber orchestra and optional electronics
(5’)

luft und fleisch. [air and flesh.]

for chamber orchestra and optional electronics
(34’)

all the darkness we can hear — all the silence we can see (Nr. III)

for violin and piano
(4’)

all the darkness we can hear — all the silence we can see

for violin and piano
(15’)

2020

Denn er hatte noch eine dringende Verabredung mit den drei Eichen und den zwei Bächen am Fuß des goldenen Berges. [Because he still had an urgent appointment with the three oak trees and the two streams at the foot of the golden mountain.]

for organ solo
(10')

black lines of infinite harmonies

for string quartet
(7')

black torrent. white salt.

for string orchestra and 3 trombones
(6')

there is no difference between bruckner and collapsing buildings

public sound installation at a main square in Linz during the International Brucknerfestival 2020

asche ist weiß. [ash is white.]

for 3 orchestras and percussion
(10')

honig.meer.licht [honey.sea.light]

for cembalo solo and electronics
(15')

golden tree — alone . all one

for 13 singers and electronics
(13')

2019

einstürzende meere unter der blume [collapsing oceans under the flower]

for 20 violas
(10')

leuchtende erdbeere auf staubiger wiese — overwriting IV [glowing strawberry on a dusty meadow]

for piano quintet (Vl, Va, Vc, Kb, Pf)
(8')

die gold erstarrte hülle der erinnerung — overwriting III [the golden skin of memory]

for ensemble (Vl, Va, Vc, Fl, Kl) and tape
(10')

felsiges gras [gras stones]

for organ solo
(8')

2018

wie wasser im weichen schwarz — overwriting II [like water in gentle black]

for strings in any number
(6')

das vergessen der engelswunde — overwriting I [the oblivion of the angel's wound]

for ensemble (Vl, Fl, Kl, E-Orgel, Pf)
(8')

das blaue der wolken [the blue of the clouds]

for string quartet
(12')

the winds of light and the winds of darkness

for organ solo
(6')

2017

Lob des Schattens [in praise of the shadow]

an opera in Japanese
(40')

2016

marshmallow — don't think

for ensemble, tape and video
(10')

black noise